新视觉摄影

以新视觉摄影作为清晰可识别的整体风格。只改变视觉处理，保持用户主体的身份、数量、动作与关键结构。执行：构图采用极端俯仰、对角裁切、近距放大与影子作为图形；光影采用硬光、投影、透明叠影与光绘；材质与表面呈现为银盐胶片、光影照片和摄影机无镜头实验；将用户主体转译为锐利几何、透视缩短与陌生化尺度，保持身份与关键结构；配色限定为高反差黑白与少量综合色实验；仅在用户要求文字时，采用与时代影像一致的字幕或印刷字体，并保持原文可读。

Use New Vision Photography as the clearly recognizable overall style. Change only the visual treatment; preserve the supplied subjects' identity, count, action, and defining structure. Execution: compose with extreme high-low viewpoints, diagonal cropping, close enlargement, and shadows used as graphic form; use hard light, projected shadow, transparent superimposition, and light drawing for lighting and tonal rendering; render materials and surfaces as silver film, photograms, and camera-less light experiments; translate the supplied subjects into sharp geometry, foreshortening, and defamiliarized scale while preserving identity and defining structure; limit the palette to high-contrast black and white with restricted color experiments; only when text is requested, use clear modernist period typography, and preserve the exact readable wording.