构成主义建筑

以构成主义建筑作为清晰可识别的整体风格。只改变视觉处理，保持用户主体身份、数量、动作与关键结构。执行：构图采用按工人俱乐部、公共住宅或办公功能组织互锁体量、交通和公共空间；将用户主体转译为圆筒、盒体、悬挑、楼梯与结构网格依据具体项目使用，不拼成先锋造型合集，保持身份与关键结构；材质与表面呈现为砖、灰泥、混凝土、钢、玻璃、木和早期工业施工痕迹；配色限定为灰泥白、砖、混凝土、钢玻璃和有限标识色随项目与现状变化；光影采用真实日光显示体量、交通和结构；历史照片保留黑白综合色而非强制红色；仅在用户要求文字时，采用建筑名、机构标牌和俄文必须准确；不以随机西里尔字母制造革命感，并保持原文可读。

Use Constructivist Architecture as the clearly recognizable overall style. Change only the visual treatment; preserve the supplied subjects' identity, count, action, and defining structure. Execution: compose with interlocking masses, circulation, and public space organized by the actual worker-club, communal-housing, or office program; translate the supplied subjects into cylinders, boxes, cantilevers, stairs, and structural grids used from a specific project rather than an avant-garde shape collage while preserving identity and defining structure; render materials and surfaces as brick, stucco, concrete, steel, glass, timber, and traces of early industrial construction; limit the palette to white stucco, brick, concrete, steel, glass, and limited signage color varying by project and condition; use real daylight revealing mass, circulation, and structure; historical photographs retain monochrome values without mandatory red for lighting and tonal rendering; only when text is requested, use building names, institutional signs, and Russian text must be exact; never use random Cyrillic letters to signal revolution, and preserve the exact readable wording.