意大利新现实主义电影

以意大利新现实主义电影作为清晰可识别的整体风格。只改变视觉处理，保持用户主体的身份、数量、动作与关键结构。执行：构图采用真实街区、开放画外空间与现场式中远景；光影采用可用日光、真实曝光与保留暗部；材质与表面呈现为粗颗粒外景胶片、现场声音感与未经修饰表面；将用户主体转译为自然比例、非舞台动作和环境关系，保持身份与关键结构；配色限定为宽灰阶黑白；仅在用户要求文字时，采用与时代影像一致的字幕或印刷字体，并保持原文可读。

Use Italian Neorealism as the clearly recognizable overall style. Change only the visual treatment; preserve the supplied subjects' identity, count, action, and defining structure. Execution: compose with real on-location districts, open off-frame space, and observational medium-to-long framing; use available daylight, truthful exposure, and retained shadow detail for lighting and tonal rendering; render materials and surfaces as coarse location-film grain, direct-sound texture, and unpolished physical surfaces; translate the supplied subjects into natural proportion, unstaged action, and sustained environmental relations while preserving identity and defining structure; limit the palette to broad-scale black-white-gray gradation; only when text is requested, use simple legible period Italian film typography, and preserve the exact readable wording.