汉代帛画

以汉代帛画作为清晰可识别的整体风格。只改变视觉处理，保持用户主体的身份、数量、动作与关键结构。执行：构图采用上下层叠的宇宙分区、中心轴与贯穿画面的流动曲线；将用户主体转译为细而连续的墨线、平面色区与舒展的带状轮廓，保持身份与关键结构；材质与表面呈现为老化绢纹、细密墨线、薄层矿物色与局部颜料脱落；配色限定为暖褐绢地、墨黑、朱红、土黄与低饱和矿物青绿；光影采用均匀平面光，以色层和遮叠建立浅层空间，不使用写实投影；仅在用户要求文字时，采用清楚可读、与秦汉书写结构相容的字形，并保持原文可读。

Use Han Dynasty Silk Painting as the clearly recognizable overall style. Change only the visual treatment; preserve the supplied subjects' identity, count, action, and defining structure. Execution: compose with vertically tiered cosmological zones, a central axis, and flowing curves that connect the full field; translate the supplied subjects into fine continuous ink contours, flat color areas, and elongated ribbon-like curves while preserving identity and defining structure; render materials and surfaces as aged silk grain, fine ink linework, thin mineral color, and restrained pigment loss; limit the palette to warm brown silk, ink black, vermilion, ochre, and muted mineral blue-green; use even flat illumination, with shallow space built by color layers and overlap rather than cast shadows for lighting and tonal rendering; only when text is requested, use legible lettering compatible with Qin-Han script structure, and preserve the exact readable wording.