德国表现主义电影

以德国表现主义电影作为清晰可识别的整体风格。只改变视觉处理，保持用户主体的身份、数量、动作与关键结构。执行：构图采用倾斜布景、尖锐对角线、压迫前景与扭曲深度；光影采用硬侧光、绘制阴影与极端明暗分区；材质与表面呈现为早期胶片颗粒、舞台布景表面、划痕与轻微闪烁；将用户主体转译为锯齿状轮廓、夸张投影与不自然的棱角几何，保持身份与关键结构；配色限定为高反差黑白、浓重综合色黑与少量染色调；仅在用户要求文字时，采用可读的表现主义手绘字幕，并保持原文可读。

Use German Expressionist Cinema as the clearly recognizable overall style. Change only the visual treatment; preserve the supplied subjects' identity, count, action, and defining structure. Execution: compose with tilted sets, sharp diagonals, oppressive foregrounds, and distorted depth; use hard sidelight, painted shadows, and extreme light-dark zoning for lighting and tonal rendering; render materials and surfaces as early film grain, theatrical set surfaces, scratches, and slight flicker; translate the supplied subjects into jagged contours, exaggerated projected shadows, and unnatural angular geometry while preserving identity and defining structure; limit the palette to high-contrast black and white, dense black, and restrained tinted tones; only when text is requested, use legible hand-drawn Expressionist intertitles, and preserve the exact readable wording.