韩国单色画

以韩国单色画作为清晰可识别的整体风格。只改变视觉处理，保持用户主体身份、数量、动作与关键结构。执行：构图采用满幅、网格、重复线或材料渗透按艺术家过程组织，不以空白中心代表单色画；将用户主体转译为推、刮、点、压、折或反面渗透产生微小单元和真实表面起伏，保持身份与关键结构；材质与表面呈现为油彩、铅笔、麻布、韩纸、颜料吸收、重复劳动和物理磨损；配色限定为白、灰、土色、深蓝和其他窄综合色域均可，不把白色设为韩国性；光影采用柔侧光揭示真实低浮雕、纤维和微综合色差，避免精神化辉光；仅在用户要求文字时，采用文字通常不进入画面；如需说明，只用画面外中性准确标签，并保持原文可读。

Use Dansaekhwa as the clearly recognizable overall style. Change only the visual treatment; preserve the supplied subjects' identity, count, action, and defining structure. Execution: compose with all-over fields, grids, repeated lines, or material penetration organized by an artist's process without making a blank center definitive; translate the supplied subjects into pushing, scraping, dotting, pressing, folding, or reverse soaking producing minute units and real relief while preserving identity and defining structure; render materials and surfaces as oil paint, pencil, hemp cloth, hanji, pigment absorption, repeated labor, and physical abrasion; limit the palette to white, gray, earth color, deep blue, and other narrow ranges without treating white as an ethnic essence; use soft grazing light revealing actual low relief, fiber, and minute color differences without spiritualized glow for lighting and tonal rendering; only when text is requested, use text normally remains outside the work; when needed, use a neutral accurate label beyond the pictorial field, and preserve the exact readable wording.