青绿山水

以青绿山水作为清晰可识别的整体风格。只改变视觉处理，保持用户主体身份、数量、动作与关键结构。执行：构图采用层叠山体、卷轴游观和水陆间隔形成连续路径，可工整也可与水墨结构结合；将用户主体转译为先以轮廓和皴法立骨，再分层罩染石青石绿；不把山体简化为统一扁平色块，保持身份与关键结构；配色限定为石青、石绿为核心，配赭石、朱砂、白粉和纸绢底；金色并非必要；光影采用综合色明度与层层罩染建立空间，纸绢作品不模拟戏剧性自然投影；材质与表面呈现为纸绢、墨线、矿物综合色颗粒、胶结层、罩染与局部金泥；仅在用户要求文字时，采用仅在用户要求准确文字时安排可读题款和印章，避免仿造名家款识，并保持原文可读。

Use Blue-Green Landscape Painting as the clearly recognizable overall style. Change only the visual treatment; preserve the supplied subjects' identity, count, action, and defining structure. Execution: compose with layered mountains, scroll-like roaming, and water-land intervals forming a continuous path, from meticulous structure to ink-color integration; translate the supplied subjects into contours and texture strokes establishing the bones before layered azurite and malachite washes rather than uniform flat mountain shapes while preserving identity and defining structure; limit the palette to azurite and malachite with ochre, vermilion, white, and the paper or silk ground, while gold remains optional; use spatial depth built by color value and repeated glazing without theatrical natural cast shadows on the support for lighting and tonal rendering; render materials and surfaces as paper or silk, ink contours, granular mineral pigment, binder layers, glazing, and occasional shell gold; only when text is requested, use only when exact text is requested, place legible inscriptions and seals without imitating an artist's signature, and preserve the exact readable wording.