阿纳姆地树皮画

以阿纳姆地树皮画作为清晰可识别的整体风格。只改变视觉处理，保持用户主体的身份、数量、动作与关键结构。执行：构图采用平面中心场、轮廓内外连续排线与边界清楚的综合色区；将用户主体转译为细密交叉 rarrk 排线、硬边外轮廓与重复线性节奏，保持身份与关键结构；材质与表面呈现为桉树皮、天然赭石、细笔排线、纤维裂边与哑光表面；配色限定为赭红、黄赭、炭黑、白土与树皮棕；光影采用均匀平面光，以排线密度和综合色差建立层级；仅在用户要求文字时，采用中性现代标签，不仿造受文化权限约束的符号，并保持原文可读。

Use Arnhem Land Bark Painting as the clearly recognizable overall style. Change only the visual treatment; preserve the supplied subjects' identity, count, action, and defining structure. Execution: compose with a flat central field, continuous hatching within and around bounded forms, and clearly separated color zones; translate the supplied subjects into fine crossed rarrk hatching, hard outer contours, and repeated linear rhythm while preserving identity and defining structure; render materials and surfaces as eucalyptus bark, natural ochre, fine brush hatching, fibrous split edges, and a matte surface; limit the palette to red ochre, yellow ochre, charcoal black, white clay, and bark brown; use even flat illumination with hierarchy built through hatch density and color difference for lighting and tonal rendering; only when text is requested, use neutral modern labels without imitating culturally restricted signs, and preserve the exact readable wording.